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The film was produced immediately after the television series completed filming its original run; it included the original cast with the exception of Marilyn, who was played by Debbie Watson replacing Pat Priest from the series. The pilot title sequence had light, happy music borrowed from the Doris Day movie The Thrill of It All instead of the instrumental rock theme. It was also decided that Joan Marshall looked too much like Morticia Addams and that Happy Derman was too nasty as Eddie, so both were replaced. On the basis of the first presentation, the new series, still not completely cast, was announced by CBS on February 18, 1964.
Butch Patrick's suit here is a bright purple, but on the show it was actually "a gray mushroom color." For the Transatlantic crossing, stock footage of the American passenger ocean liner, the SS United States, near the end of its active career, was utilized. Although most of the film is set in fictional "Shroudshire, England" the automobile racing scenes were shot at the Paramount Ranch Racetrack in Agoura, California.
Full Cast & Crew
I saw this film in the theater during its first run and continue to enjoy it on its occasional TV appearances. Often these are during the run-up to Halloween, when "Munster Go Home" acts as an antidote to the depressing run of horror films. Fred Gwynne never looked back after making this final appearance as Frankenstein's monster, so bitter was he at the lingering pain performing the role caused him.
The series entered syndication on local stations after its original run. In the 1990s it aired on Nick at Nite and on TV Land from 2000 to 2008. In October 2011, the series was picked up by Cartoon Network's sister channel Boomerang and ran through the entire month of October that year for Halloween alongside The Addams Family. The interiors of the Munsters' mansion were filmed on Stages 30 and 32 at Universal Studios. (When Lily "dusted" the house, her Electrolux emitted clouds of dust, which she applied to surfaces most people would clean).
Photo: 8×10 Autographed The Munsters Family with Dragula & Koach
Prior to that they wrote more than 1,500 episodes of Amos 'n' Andy, a popular network radio program, for nearly its entire history. Since Universal jointly produced The Munsters the show was able to use these copyrighted designs. Make-up for the series was credited to Bud Westmore, who pioneered many other make-up effects and designs for the studio's monsters after Pierce. While some executives believed the series should be animated, others who argued for live-action prevailed.
The reason Pat Priest was not used in this film was that "Universal" wanted to build up the career of Debbie Watson. Priest was over 30 at the time though Marilyn was obviously college age. In the film, the character was made to be only 17, another reason they cast the younger Watson. This not only devastated Priest, it also angered most of the fans. In Chicago, temperatures are set to drop there to 23°F on Tuesday and the city could see a low of -1°F on Christmas Day. The Electric Reliability Council of Texas said in a statement that the grid operator "expects sufficient generation to meet forecasted demand" in the state after working with the Public Utility Commission to "implement reforms."
The Munsters
It was produced and released at least partly in order to introduce the characters and concept to foreign audiences, seeing as how it came in advance of international syndication for the film's source material (the television series 70-episodes). The film also featured the DRAG-U-LA custom dragster designed by George Barris. Although most of the film is set in "Shroudshire, England" the automobile racing scenes were shot at the Paramount Ranch Racetrack in Agoura, California. It was produced and released at least partly in order to introduce the characters and concept to foreign audiences, as it came in advance of international syndication for the film's source material (the television series' 70 episodes). Sawyer's View-Master Stereo Pictures issued a 3-D reel set of The Munsters depicting the episode "The Most Beautiful Ghoul in the World" in 1966, Packet No.
In 1964 a live-action pilot titled "My Fair Munster" was filmed in color by MCA Television for CBS. Fred Gwynne and Al Lewis were the first to be cast early in February 1964. Beverly Owen was signed to play Marilyn; Joan Marshall was cast as Herman's wife, "Phoebe"; and "Happy" Nate Derman was cast as Eddie. A second pilot was ordered in April 1964 with Yvonne De Carlo replacing Marshall, and the character renamed "Lilly". For a third pilot, "Happy" Nate Derman was replaced by Butch Patrick.
Grace and Freddie attempt to interfere with him winning the race, by setting up a plot to kill him. The British Munsters including their butler, Cruikshank are all exposed and apprehended by the authorities. Herman arrests Freddie and Grace by tossing tire wheels on them. Lady Effigie is sent to Shroudshire's police station with her butler by Lily and Eddie. Herman and his family donate the land and Munster Hall to the city.
CBS liked both De Carlo and Patrick, but ordered a fourth pilot where Eddie was less spoiled. Produced by the creators of Leave It to Beaver, the series was a satire of American suburban life, the wholesome TV family fare of the era, and traditional monster movies. It achieved higher Nielsen ratings than the similarly macabre-themed The Addams Family, which aired concurrently on ABC. Munster, Go Home is a 1966 Universal film based on the TV show The Munsters. Unlike the black and white Munsters TV show, Munster Go Home was in color. Released shortly after “The Munsters” aired its final episode, the 1966 feature film Munster, Go Home!
Herman gets seasick, Marilyn encounters a new love and suitor Roger Moresby . Grandpa gets turned into a grey wolf upon accidentally consuming a wolf pill and has to be sneaked through British immigration and customs. Discover the stars who skyrocketed on IMDb’s STARmeter chart this year, and explore more of the Best of 2022; including top trailers, posters, and photos.
The idea of a family of comical monsters was first suggested to Universal Studios by animator Bob Clampett, who developed the idea from 1943 to 1945 as a series of cartoons. The project did not take off until mid-1963 when a similar idea was submitted by Rocky & Bullwinkle writers Allan Burns and Chris Hayward. The proposal was later handed to writers Norm Liebman and Ed Haas, who wrote a pilot script, Love Thy Monster.
All the original cast except one make it much better than it should be, the story is OK, basic, and the look is alright, again, not as cool as the series. It should have been done better really, a missed chance, needed more ghouls and spookyness and preferably in the Munster house. Later, Herman enters a race, driving Grandpa's custom dragster, the "DRAG-U-LA". Grace and Freddie plot to kill Herman to stop him from winning the race; thanks to the Gryphon posing as Roger, but with Lily's help, he wins. The British Munsters and their butler, Cruikshank including his daughter, Millie the barmaid revealed to be the Gryphon, are all exposed and apprehended by the police authorities.
However, this was not a problem at Gold Key, because Gold Key was not a member of the Comics Magazine Association of America and therefore did not have to conform to the Comics Code. In August 2017, it was announced that Seth Meyers was developing a modern-day interpretation of the series for NBC. The show would place the Munsters in Brooklyn, New York, where they try to fit in as an ordinary family.
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